Mimimimimimimi....
Everyone seems to be bitching about the return of the cicadas this year; of course, in Japan, the cicada is a major topic of summer-themed traditional poetry, mostly using its voice to evoke solitude or its short life to evoke the 無常 (evanescence, contingency) of This World. Basho Matsuo, the greatest of the haiku poets, wrote several such verses, and one frequently sees them in translation. One of my favorites, though, is this affecting, if less-profound, example, which doesn't seem to make it into translation often:
A sucky translation, but hey, it's the spur of the moment. I'm as drawn to the serious insights of traditional poetry as anyone, but I like the way the great writers such as Basho and Saigyo were able to find something enlightening about a relaxed, playful moment, too. The summer lightness of his simple, rough clothing makes Basho feel like a cicada with translucent wings. An image to savor now. Soon, most of Japan will be like the inside of a dumpling steamer; not even with the aid of air conditioning will the finest linen and cotton feel like anything but a soaked dishrag.
Added at some ungodly hour Monday morning: It occurs to me that, since two people who might be reading this are into sewing, the poem above might have more impact if I make it clear that I think the main way Basho is drawing an analogy between his clothing and the wings/shell of the cicada is through their common texture. The summer robe of a priest would have been made of unfaced, loosely-woven raw cotton or silk. The uneven slubs would have created a texture very much like the veined wings of the cicada, and the folds created by the way it draped might have suggested folded wings, too.
いでや我よき布着たり蝉衣
Ide ya / Ware yoki nuno kitari / Semi koromo
Behold me! I wear
the finest garments--the robe
of the cicada
A sucky translation, but hey, it's the spur of the moment. I'm as drawn to the serious insights of traditional poetry as anyone, but I like the way the great writers such as Basho and Saigyo were able to find something enlightening about a relaxed, playful moment, too. The summer lightness of his simple, rough clothing makes Basho feel like a cicada with translucent wings. An image to savor now. Soon, most of Japan will be like the inside of a dumpling steamer; not even with the aid of air conditioning will the finest linen and cotton feel like anything but a soaked dishrag.
Added at some ungodly hour Monday morning: It occurs to me that, since two people who might be reading this are into sewing, the poem above might have more impact if I make it clear that I think the main way Basho is drawing an analogy between his clothing and the wings/shell of the cicada is through their common texture. The summer robe of a priest would have been made of unfaced, loosely-woven raw cotton or silk. The uneven slubs would have created a texture very much like the veined wings of the cicada, and the folds created by the way it draped might have suggested folded wings, too.